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In this one structural organism the Roman methods of construction are epitomized, modified and enriched by new aesthetic theories and realized in strikingly colorful materials and ornamental techniques. These materials and techniques are often considered Eastern, but they are in fact the logical outgrowth of trends already apparent in Roman imperial buildings of the first three centuries AD All interior surfaces are sheathed with polychrome marbles and gold mosaic, encrusted upon the brick core of the structure; most of the magnificent figure mosaics have been cleaned and restored to view. Externally, the broad, smooth surfaces of stuccoed walls and the great unconcealed masses of vaults and domes pile up impressively. Hagia Sophia served as model for several of the great Turkish mosques of Constantinople.
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