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From Hand to Mouth (1967, Hirshhorn Mus., Washington, D.C.) to flashing neon signs that frequently pun, employ homonyms, and otherwise play with language, e.g., None Sing (1970, Guggenheim Mus.), and a variety of videotape installations, e.g., Clown Torture (1987, Art Inst. of Chicago) and Mapping the Studio I (Fat Chance John Cage) (2001).
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