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As developed by Haydn and Mozart the quartet became the principal chamber-music form. It was used by Beethoven and Schubert, whose quartets are the last of the classical period, and by the chief composers of the romantic period—Mendelssohn, Schumann, Brahms, Dvo?ák, Franck, d'Indy, and Reger. In the early 20th cent. the coloristic possibilities of the quartet were exploited by Debussy and Ravel.
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