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Defoe's great novels were not published under his name but as authentic memoirs, with the intention of gulling his readers into thinking his fictions true. Two excellent examples of his semihistorical recreations are the picaresque adventure Moll Flanders (1722), the story of a London prostitute and thief, and an account of the 1665 great plague in London entitled A Journal of the Plague Year (1722).
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