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Renascence, her first volume of poetry, appeared in 1917 and was praised for its freshness and vitality. It was followed by A Few Figs from Thistles (1920), Second April (1921), and The Ballad of the Harp Weaver (1922; Pulitzer Prize). Among her later volumes are Fatal Interview (1931), a superb sonnet cycle; Conversation at Midnight (1937); and Make Bright the Arrows (1940). She also wrote the libretto for Deems Taylor's opera The King's Henchman (1927) and, with George Dillon, she translated Baudelaire's Flowers of Evil (1936).
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