When did Frank Stella begin creating three-dimensional works?
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In the 1970s and 80s, Stella abandoned the studied, minimalist aesthetic in favor of a more improvised, dynamic, and dramatic idiom in mixed-media. During that time he abandoned flat paintings and instead created large, jutting, multipart, three-dimensional painting-constructions that often incorporate bright colors, enlarged versions of French curves, and lively brushstroke patterns.
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