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The wooden Gero Crucifix (969-76; Cologne Cathedral) reflects a humanitarian concern for the sufferings of Jesus. Sophisticated relief bronzes were cast for the cathedral doors at Hildesheim (1015). Ottonian manuscript illumination was superbly developed; produced at several flourishing artistic centers, including Regensburg and Fulda, it combined Carolingian and Byzantine influences. Manuscripts such as the Gospel Book of Otto II are two-dimensional, figural, and linear, incorporating much gold leaf.
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