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The films of Roberto Rossellini in the 1940s gave new impetus to the Italian cinema. Thereafter followed a cycle of exciting, compassionate, grimly realistic films from such directors as Vittorio De Sica, Luigi Zampa, Giuseppe de Santis, and Luchino Visconti. These films, usually concerned with social themes, were successful in Italy only after they had won a foreign market. In the 1950s, in order to win box-office appeal, a tendency to produce marketable and sensational movies diminished the reputation of Italian filmmakers.
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