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In the Sung dynasty (960-1279) landscape painting reached its greatest expression. A vast yet orderly scheme of nature was conceived, reflecting contemporary Taoist and Confucian views. Sharply diminished in scale, the human figure did not intrude upon the magnitude of nature. The technique of ink monochrome was developed with great skill; with the utmost economy of pictorial means, suggestion of mood, misty atmosphere, depth, and distance were created. During the Sung dynasty the monumental detail began to emerge. A single bamboo shoot, flower, or bird provided the subject for a painting. Among those who excelled in flower painting was the Emperor Hui-tsung, who founded the imperial academy. Hundreds of painters contributed to its glory, including Li T'ang , Hsia Kuei , and Ma YŸan . Members of the Ch'an (Zen) sect of Buddhism executed paintings, often sparked by an intuitive vision. With rapid brushstrokes and ink splashes, they created works of vigor and spontaneity.
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