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Masks have always been especially important in drama, and their use has been continued into modern times. They are an integral part of Japanese drama, especially of the No plays, and of Chinese temple dramas (see Asian drama ). The many masks used in ancient Greek drama represented the character being portrayed by the actor and were constructed to portray a fixed emotion such as grief or rage. Greek masks had metallic mouthpieces that enhanced the resonance of an actor's voice. The use of masks was preserved in the Roman theater, passed into the early Italian theater, and was a characteristic device of the commedia dell'arte . The mask was used in the miracle dramas of the Middle Ages and appeared in the 20th cent. in the works of the German expressionist playwrights and in Eugene O'Neill's plays The Great God Brown and Lazarus Laughed.
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