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Nadelman also worked in marble, cast plaster and papier-mâché, glazed ceramic, a form of electroplating, and other media. Probably his most famous bronze is Man in the Open Air (c.1915; Mus. of Modern Art, New York City), an urbane figure clad only in a small bow tie and bowler hat, in a jaunty pose slightly reminiscent of classical antiquity. Nadelman was comparatively unknown until interest in him was revived by a retrospective exhibition (1948) at the Museum of Modern Art. His reputation was again enhanced by another retrospective (2003) at New York's Whitney Museum of American Art.
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