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With the growth in importance of the synagogue came the rise of the chazan, or cantor . Among the Sephardic Jews in Arab-dominated Spain Arab music had great influence and was introduced into the synagogue. Later the Ashkenazim (Jewish communities that had their original European base in Germany) accepted some of the melodic forms of German folk song and Italian court song; this adaptation was more or less successfully opposed by traditionalists who reintroduced elements from the song of the Middle Eastern Jews. The post-Renaissance cantors developed a distinct type of coloratura, which was popular in 17th-century Europe.
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