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Directors such as RenŽ Clair and Rouben Mamoulian were pioneers in the effort to use sound creatively and in conjunction with the image, but most films simply recorded dialogue to accompany static images, as early sound recording methods required that the camera be encumbered within a soundproof booth. As the technological difficulties of sound recording receded, the image regained its prominence and the stalled work begun in the twenties went forward.
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