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In 1861 the Salon accepted his Chanteur espagnol. Two years later his Déjeuner sur l'herbe (Musée d'Orsay, Paris) was shown in the Salon des Refusés and was violently attacked; its depiction of a nude and a partially clad woman picnicking with two fully dressed men is enduringly strange and remarkably forthright, and has not quite lost its power to shock.
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